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    Listening Room 7: Sergei Nakariakov: No Limit
    Nate Mayland
    • Jun 2, 2021

    Listening Room 7: Sergei Nakariakov: No Limit

    Sergei Nakariakov: No Limit Teldec Classics, December 7, 2006 Sergei’s unlimited technique has allowed him to explore even the most...
    CD Release "Not A Novelty" w/ BONEGASM
    Nate Mayland
    • Apr 23, 2021

    CD Release "Not A Novelty" w/ BONEGASM

    Recording involves suspending your conscious thought and allowing your mind to meld completely with what you hear.
    Listening Room: Thad Jones, Mel Lewis Consummation
    Nate Mayland
    • Mar 25, 2021

    Listening Room: Thad Jones, Mel Lewis Consummation

    Snooky's build into the uptempo is the jazz equivalent of Bud Herseth's legendary entrance in the CSO's recording of Tchaik 6.
    Listening Room, Ep. 05: Tune Supply's Irish Virtual Sessions
    mapleandbrass
    • Mar 17, 2021

    Listening Room, Ep. 05: Tune Supply's Irish Virtual Sessions

    This week's Listening Room is participatory! I recently came across this incredible series on YouTube, called Mary O's Virtual Sessions,...
    Studio Time: La Bamba, Tom Waits, and Southside Johnny
    Nate Mayland
    • Mar 12, 2021

    Studio Time: La Bamba, Tom Waits, and Southside Johnny

    Recording Grapefruit Moon with Southside Johnny was a career highlight for me. Hard hitting, bluesy, open-hearted rock and roll.
    Listening Room, Ep. 03: Jacqueline Du Pré
    Erin Mayland
    • Mar 3, 2021

    Listening Room, Ep. 03: Jacqueline Du Pré

    Unpopular opinion: I don't love Brahms.
    Listening Room, Ep. 02: Regina Carter, Yacouba Sissoko, and Will Holshouser
    mapleandbrass
    • Feb 24, 2021

    Listening Room, Ep. 02: Regina Carter, Yacouba Sissoko, and Will Holshouser

    Kora, accordion, and violin? Yes please. These are three of my favorite instruments, and it turns out, this surprising combination gets...
    Listening Room, Ep. 01: John Allred
    mapleandbrass
    • Feb 17, 2021

    Listening Room, Ep. 01: John Allred

    John Allred is a master of the trombone. What makes some musicians transcend their instrument?
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